
People are quick to forget Annie Hall, the major turning point in Woody Allen’s long, storied, and ever-growing career. They’re quick to forget that it won four of the big five Oscars (winning best director, actress, writing, and picture), the one loss coming in the best actor category. They’re quick to forget it beat Star Wars for Best Picture. No, not the crappy prequelStar Wars, the freakin’ Star Wars. They’re quick to forget that Allen revolutionized humor, romance, and storytelling in one quirky swoop. But if you actually take the time to sit down and watch this amazing film, you would never be quick to forget it.

It’s honest, it’s depressing, and it’s hilarious. I chose this film as my favorite not just because it’s an outstanding film, but it is largely a representation of Allen’s whole career and what he would do after this. Annie Hall is more than just Annie Hall, it represents films such as the gorgeously shot Manhattan, the character-driven Purple Rose of Cairo, the dark, philosophicalCrimes and Misdemeanors, and the family-drama, Hannah and Her Sisters. You could argue that Woody Allen has done better since Annie Hall, depending on what film you chose to make your case, I might not argue. But there’s no denying that without Annie Hall, we would not have gotten the filmmaker and films we have today and that is why the tie-wearing, naive, arachnophobic, Grammy Hall-loving, Annie Hall tops my list.
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